A blog about tablet weaving and how to design your own belts.

Year: 2023 (Page 1 of 2)

Sulawesi style with hexagonal cards

After 2 tests with hexagonal cards in Sulawesi style, I can conclude that it works, but it’s a pain to weave. Is it worth it to get that extra colour? I will show you and let you decide wether to try it for yourselves.

My first attempt, where I used the rest of an old warp. 12 motif cards (3×4). More explanations below.

I also tried to cut out 3 threads (blue and red) out of the 6, to try 3 thread weaving (1 white and 2 brown). Result below:

I decided to set up a larger weave with 24 cards (3×8). I actually made some cardboard paper cards, since the wood cards were quite bulky. This is the result of Sulawesi weaving with more background colours.

So how is it done??

With hexagonal weaving, 3 cards make a “pair”, instead of 2 cards (in regular Sulawesi). If you see the setup below, you have 3 cards with the same orientation (S or Z), they need to be turned together always for 3 picks. So, when you weave, you do 3 picks instead of 2, before you change your cards between front/back pack. You need to test weave 6 picks to see where your starting position is. For me it was when 3 or 6 was towards me. (note the 6 dots around the hole towards me in the photo above).

To make the background repeat I started with hole 6 towards me, 3 picks forward -> hole 5 -> hole 4 -> hole 3 -> 3 picks backward -> hole 4 -> hole 5 -> hole 6.

Now with 24 motif cards, I have 8 pairs (3×8=24), which means I can use the designs for 16 cards (8 pairs x2 =16). I used a truncated version of the below to make my weave above. Each square in my weaving diagram then represents 3 cards and 3 picks (white forward and dark backwards).

To use the designs for “24 cards” (12 pairs), you actually need 36 hexagonal cards (12×3=36).

Good luck!

Midnight Blue weaving

The silver-blue belt in silk and wool is finished. I really love the feel and look of it. The wool is matte and the silk shiny, which means that the two quite similar shades of dark blue appear quite different and contrasting. Here are some pictures:

Lady Midnight – Silk and wool

I really enjoy working on this belt in wool and silk. The silver and blue are pure silk and the dark blue (accompanying thread) is 100% wool. I was worried that they would stretch differently, but it works out great. So a sneak preview!

More to come later…

2 different designs using one warp.

I wanted to weave with some lovely pinkish-mauve yarns for a while, so I set up a regular 16 cards weave with Oseberg edging using these these colours (even though I don’t really use much pink, but the colours spoke to me). But when I started weaving, I feel that it turned out a bit too pink and I hesitated to change it by cutting out one or 2 threads per card. In the end I flipped the motif colors (mauve) and the background colour (green) and continued to weave approximately 2 m. I also worked on some variations of the leaf theme for 16 cards, which I will upload on the design page.

Then I attached the weft and cut out the accompanying colours to do some pebble weave with 2 missing holes, and it turned out much nicer than my initial weave. I regret not doing it sooner, since I only had enough warp to weave around 60cm.

The 1st belt looks like this:

The second, shorter pebble weave looks like this:

It’s amazing how the mauve colour looks so different (nicer) when the lighter thread is gone.

The switch…

2, 3 or 4 threads – What difference does it make?

This post is to (hopefully) clarify on how to play with missing threads, background and accompanying colours. All my motifs can be woven with these 4 variants of threading (with different results). Please give some feedback if it is not clear.

Case 1: Classical Sulawesi: One motif colour (red), one background colour (blue) and 2 threads with the accompanying colour (White).

Case 2: Sulawesi with 2 accompanying colours: motif colour (orange), one background colour (blue) and 2 threads with different accompanying colours (red and yellow). This is the example to the right. The left shows the threading, but has a variety of colours.

Case 3: One missing hole/3 threads Sulawesi: One motif colour (red), no background colour (empty hole = X) and 2 threads with the accompanying colour (yellow).

Case 4: 2 missing holes/2 threads Sulawesi or “Pebble weave”: One motif colour (orange), one background colour (brown) and the empty holes (X) where the accompanying colours should be.

I finally finished the silk belt.

The photos don’t do it justice, but the yellow really looks like gold. It is the longest weave I have done so far, over 3m. It was a custom piece for a good friend. Unfortunately we could not meet in person, since I have been down with Covid/flu/nasty cold for the last weeks.

Anyway some photos below (I added some designs to the design page for 24 cards.

I got a request for the dragon in the bottom right of the combined picture on top. I have 2 versions (as with many of my designs), one horizontal (as shown here) and one vertical. I added both below and to my 24 card designs page. Enjoy!

Silk weaving again

I like to weave in silk, but I also feel limited with the colours I have (since it does cost a bit more). Well, I am slowly advancing on this one. A lot of see creatures and some horses.

It looks better in real life, since the yellow looks really golden, but on the photo it is somehow “flat”. I will add some of the new designs to the design page (and below).

After this one, I plan to take a summer brake. C U in September.

The autumn belt is finally off the loom

It took some time to complete, but now it is done. I like it, but not my favourite. Maybe it is a bit to complicated with all the colour changes going on. It is nearly hypnotising when you look at it.

Well, here it is:

The Beginning….and the end!

Start of the “Autumn belt”.

Since I been working on my “Summer” and “Spring” belts, I felt the urge to do an Autumn belt, and I have at least started.

I used 11 different shades of yellow, orange, brown and green. Sneak preview below…

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